my favorite movie of 2012:

Wadjda

[Arabic]      وجدة ‎

(Waad Mohammed, Reem Abdullah, Ahd Kamel, Sultan Al Assaf. Directed by Haifaa al-Mansour.)

This is the first movie ever shot all in Saudia Arabia, and the first full-length movie directed by a Saudi woman.

Kelly Jane Torrance describes Wadjda (that’s a Washington Times link which could limit your articles unless you subscribe):

The movie opens with the title character tying the purple laces of her Converse sneakers while listening to a catchy song by the American-based hipster band Grouplove. She might be a 12-year-old girl from any part of the world, except that her colorful hair barrettes are hidden under a black abaya: Wadjda … lives in a small town outside Riyadh, Saudi Arabia. …

She desires nothing more than a bicycle with green handlebars and ribbons that just arrived at a local shop. She’s saved a bit of money from selling homemade bracelets at school and asks her mom for a loan for the rest. “Have you ever seen a girl on a bike?” is her mother’s scornful reply. …

You might say, then, that this groundbreaking film is a sweet coming-of-age story about a girl who really wants to buy a bike. But it’s far more compelling — and subversive — than that implies. … Most of what you need to know about fundamentalist Muslim society is on screen. The boys wear comfortable white clothes to play in the park; girls are completely covered, head to toe, in black. Boys yell back and forth at each other while they play their games; girls must remain practically silent in public. As the strict school headmaster … says, “A woman’s voice is her nakedness.”

And “Wadjda” itself is certainly the product of a clear, strong voice. The film is filled with finely composed shots that show both the beauty and the ugliness of Saudi Arabia, inside and out.

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